The Jonathan Bayliss Society will award $350 to present an accepted paper on Bayliss at an academic conference such as MLA. Recipients must join the Jonathan Bayliss Society for the calendar year in which they receive their awards.
Please note: If a selected
panelist is unable to travel to Boston because of the Pandemic, we may allow an
electronic presentation, such as through Zoom.
For further information, please consult the ALA website at www.americanliterature.org. The Jonathan Bayliss Society will sponsor the following roundtables:
Roundtable 1: “Behold, I am doing a new thing”: Literary Form in Bayliss, Melville, and Olson
The Jonathan Bayliss Society invites proposals on form—structure, rhetoric, coherence, dissonance—in the work of the novelist Jonathan Bayliss and/or the poet Charles Olson, friends who knew each other’s work, and/or in the work of Herman Melville, who was an important influence for both Bayliss and Olson. Each of these writers was an experimentalist in form, challenging our understanding of the shape that a novel, a poem, or an essay might take.
Proposals might address all or part of Bayliss’s Gloucesterman tetralogy, Olson’s seminal monograph Call Me Ishmael or his other prose or poetry, or Melville’s poetry or fiction.
Roundtable 2: "All Doing Is Ours": Ritual and the Collective Construction of Meaning in American Literature
Jonathan Bayliss created a fictional science called "dromenology" in his Gloucesterman series which was meant to study collective human endeavor. In contrast to the Romantic concept of individual action, this science describes activity conducted by humans as groups: work and play, religious ritual, and artistic endeavors such as dance or drama. He conceptualized such activity as the work that staves off entropy in the thermodynamic systems we call communities or societies.
Proposals should address descriptions of collective activity in families, communities or groups of any kind in American literature, such as the examinations of individual function and collective purpose on the sea voyages of Herman Melville's novels; Flannery O'Connor's fixation with ritual performance; the rituals in Louise Erdrich's early poetry; ordinary activities becoming surreal devotional performances in the work of Ben Marcus; the use of communal repetition in tennis practice and addiction recovery programs in David Foster Wallace's Infinite Jest; the importance of death rituals in the work of Toni Morrison.
Please send proposals of no more than 100 words - for either roundtable - to Gary Grieve-Carlson at email@example.com by March 25, 2021.